BATUM
About the Play
An old man sits in a study trying to understand his uncle. David Saperstein — a lawyer who helped build the SEC on the conviction that people are flawed and must be guarded against, even from themselves — looks back across forty years at Dr. Philip M. Lovell, a celebrated 1931 Los Angeles naturopath who believed the opposite: that the body, and the world, could be corrected if only the conditions were made right. When Philip becomes convinced the young Soviet Union is the perfect proving ground for his ideas, he resolves to bring Soviet agriculture the avocado and summons David along. The comic mission darkens as the avocado pits are mistaken for explosives, antisemitism and bureaucracy close in, and Moscow reveals bread lines and fear Philip refuses to see. Sent onward toward Batum — the warm Black Sea port where avocados might grow and the dream might become real — he is robbed, humiliated, and abandoned by the system he came to admire, and never arrives. Back home, Philip absorbs the failure without surrendering the faith that produced it, chasing new promised lands for four decades while remaining bound to David by affection, exasperation, and argument, until a final reckoning in the Health House he is losing to back taxes forces the question that has haunted them both: are people systems that can be perfected, or contradictions that can only be lived with? BATUM is a play about certainty, assimilation, family, and the cost of loving a man who believes every problem has an answer if only he can think hard enough to find it.